p.o.v.Number 6, December 1998 [PDF]
The Art of Film Editing
Mark Le Fanu. On editing.
Vinca Wiedemann. Film editing - a hidden art?
Søren Kolstrup. The notion of editing
Sidsel Mundal. Notes of an editing teacher
- Edvin Kau. Separation or combination of fragments?
- Reflections on editing
- Lars Bo Kimergaard. Editing in the depth of the surface
- Some basic principles of graphic editing
Martin Weinreich. The urban inferno. On the æsthetics of Martin Scorsese's TAXI DRIVER
Scott MacKenzie. Closing arias: Operatic montage in the closing sequences of the trilogies of Coppola and Leone
Claus Christensen. A vast edifice of memories: the cyclical cinema of Terence Davies
Richard Raskin. Five explanations for the jump cuts in Godard's BREATHLESS
Alan Alda on Storytelling
An Alan Alda filmography
Richard Raskin. An interview with Alan Alda on storytelling in film
The next issue of p.o.v. (number 7, March 1999) will focus on the short films to be presented by their directors at the 4th International Short Film Symposium to be held at the University of Aarhus:
Marianne Olsen Ulrichsen's KOM (Norway, 1995)A copy of this issue can be obtained by sending a stamped (14 kr.) self-addressed A5 envelope to:
Brad McGann's POSSUM (New Zealand, 1997)
Ariel Gordon's GOODBYE MOM (Mexico, 1997)
Richard Raskin, editor
Department of Information and Media Science
DK-8200 Aarhus N